“I’ve been promoting concerts since 1977… I’ve never experienced anything like it” – Ernst Ludwig Hartz
What happens when, despite the old saying, the show really can’t go on? Here is a short interview with two men behind the beleaguered live music scene in Germany. Manni Glamowski would have been behind the scenes at this year’s Rock Hard Festival (hosting Accept and Blue Oyster Cult) and Ernst Ludwig Hartz would have been introducing the likes of Robbie Williams, Kraftwerk and Lionel Richie, Deep Purple at the Kunstrasen and Hofgarten right here in Bonn. Rockpalast asked them both for their thoughts, and fears, over the live music scene in Covid19 times.
Bonn presents itself as an International City, and the yearly ‘Over the Border’ Festival proves this in mouthwatering musical style.
The Festival this year will run from 20th through to 30 March and take place in various locations: Harmonie, Pantheon, Telekom Forum, Rheinbühne and there is also a concert by Noami Waisfeld in Dottendorf (great to see this establishing itself as a venue). There will be more details to come about the shows and the performers – one of these is already a popular live performer in Bonn – Sven Hammond is famous for his explosive live shows at the Harmonie in recent years.
20.3 – Local Ambassadors + Special Guest (Pantheon)
21.3 – Yasmin Levy – Songs from a forgotten Culture (Telekom Forum)
21.3 – Jamaran feat. Jahcoustix 20 year Anniversary (Harmonie)
What is there left to say about Julian Sas at Bonn Harmonie? Fact: this was his 18th appearance here since 2003. Fact: Most of those shows have been sold out within a few days. Fact: Julian Sas is one of Europe’s best guitar players. Fact: I’ve taken pictures of Julian’s devoted, mostly dutch, followers regularly over the years, and the faces don’t change. So what makes these people ‘fans for life?’. It’s Saturday night on a sunny November night in Bonn. Wintertime. Inside the Harmonie though it’s a hot and balmy evening – it’s Sas time…
The new disc ‘Means of Escape’ was recently nominated for Best Album of 2019 in the European Blues Awards, as well as being included in Joe Bonamassa’s personal Spotify Playlist of music from musicians who are keeping the Blues alive. It was recorded in as few takes as possible says the English guitarist behind it, in order to keep the live feel. Here we are then to test out just how well that live CD vibe aimed for by Danny Bryant matches a room full of Blues fans on a chilly November evening at The Harmonie