Larkin Poe & Rival Sons Kunst!Rasen Date

For me the best news so far this Summer. Rebecca and Megan Lovell aka Larkin Poe are booked for the Kunst!Rasen on 17 July. Ever since catching the girls at a Cologne show in 2018 (see pic) I’ve been hoping for a concert here in Bonn. I also remember a great Crossroads Rockpalast show in 2013 by Rival Sons so this double bill is already my tip for best concert this year and it hasn’t even happened yet!

Rüdiger Baldauf special guest in Dottendorf

One of my favourite concerts thus far at the Dottendorfer Jazznacht was Rüdiger Baldauf’s appearance in 2019. I’m pleased to say that Baldauf is back at the Ortszentrum again on Friday (15 March).

The talented trumpeter and creative head of Trumpet Night regularly invites stars of the music scene to play together. Renowned guests include Max Mutzke, Thomas Quasthoff, Laith Al-Deen and Nils Landgren.
Baldauf demonstrates his versatility by adapting and rearranging compositions by his guests to suit the respective line-ups on the night. The result is an impressive fusion of artistic skill and musical passion.

For his concert in Dottendorf, Baldauf has invited young singer-songwriter Phil Siemers for the first time. Also guesting will be Trumpeter Lorenzo Ludemann. Alongside will be top band musicians Thomas Heinz (drums), Marius Goldhammer (bass) and Christian Frentzen (keys). It promises to be another memorable night for jazz lovers.

Friday 15 March

Doors open 7 pm Concert begin 8 pm

Dottendorfer Str. 41, 53129 Bonn
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Songs, Singers and Surprises – Folk Club #144

In the early days of Bonn Folk Club ‘Singers Night’ was usually a euphemism for “No
one booked to play in advance”.
Thankfully, that circumstance has long since ceased to
be of concern. The opposite is now true – everyone wants to play! That made for
a rather ponderous-looking list on paper – but, to (mis)quote football legend Brian
Cough after his highly regarded team had a bad result – “we weren’t playing on paper”.
And our result was a good deal better than Mr Clough’s.

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Over The Border Festival 2024

As befits a City with many International businesses and residents, Bonn’s Over The Border Festival is once again overflowing with talented musicians from throughout the World. This year’s Festival kicks off in style with the winners of this year’s Womex Award, B.C.U.C “Bantu Continua Uhuru Consciousness” from Johannesburg. Their concert at The Harmonie on 10 March is the start of a long list of concerts at various venues stretching to 10 April in Bonn.

Here is an excerpt from B.C.U.C’s Glastonbury appearance in 2019…

True North – Johnny Campbell (Subversive Folk Records)

Johnny Campbell’s appearance at Bonn Folk Club last year was a real breath of fresh air. It’s a long time since I experienced an English folk musician who truly seems to have a mission in his music to rival that of the legendary Ewan MacColl. This is music with a heart and a soul and also a home – True North.

If you’ve never been to the North of England then I recommend purchasing the disc with an extra booklet. In it, you’ll find not just the lyrics, but also discover a background that is as fascinating as the songs themselves. As an example, it’s hard to imagine Leeds as a ‘seaside Town’. For a start, it’s nowhere near the coast (in fact, although it just misses being a part of the Midlands, you can’t get much more ‘mid-land’ than Leeds). Industrialisation though wasn’t to be deterred. To get the woven textiles produced there to the market quickly a canal was built that led west to Liverpool and ultimately to the sea. Not quite a seaside town then – but Nature and Man combined to find the sea. Indeed, it’s this synergy of the two that is behind ‘True North’.

Campbell describes these as ‘Field Recordings’. Which very often, literally they are. Each track is recorded on or around a respective county high point of Northern England. Don’t expect audiophile perfection here. That’s not the aim even. Johnny describes it rather beautifully as “tapping into the psychogeography of northern England”. Traditional songs with music created in the moment and inspired by the often rugged and windswept countryside which itself got swept up in an industrial revolution that changed the people and the landscape forever.

The mood and fears of the time are captured in ‘Four Loom Weaver’, describing the catastrophic outcome that mechanization had on the workforce at the time. “I’m a four loom weaver, as everybody knows. I’ve nowt to eat, and I’ve worn out me clothes. Stockings I’ve none, nor looms to weave on. I’ve woven mesen t’ far end!”.

It’s a lot to aim for – trying to convey the spirits of people and places and history all in one go. Johnny Campbell though has done it on True North with a stunning, simple, honesty. Playing where the history itself took place. armed with just a recorder, a voice, a guitar, and a spirit of defiance. playing this disc makes the listener feel as if they are that check-shirted man on the CD cover enjoying the view with a guitar beside him, surveying the land and the history it has lived. For most people that in itself would be enough. Johnny Campell doesn’t just talk the talk though, he, literally, walks the walk too, recently announcing proudly that he would be taking part in a ‘trespass’ walk on Kinder Scout. For those who don’t know the history: On 24th April 1932, several hundred activists from Manchester, Salford and Sheffield ‘trespassed’ on Derbyshire’s highest point, Kinder Scout, to highlight how walkers have been denied access to the open countryside by wealthy landowners, often using these moorlands for the elite, ecologically damaging, and profitable ‘sport’ of grouse shooting. Things have sadly not got better, and now, in 2024, 92% of land is ‘off-limits’ to walkers.

‘True North’ is not all Industrial Revolution woes though. and visitors to Bonn Folk Club may remember Johnny giving us a shortened version of the old traditional song ‘The Derby Ram’ with its origins in the 18th Century. I wonder when the last verse here was added that refers to: “The manure from the ram sir. It made a great big mound. And now it plays on Saturday, at Derby’s football ground!”

Overall this is much more than an album showcasing old history. It is a wake-up call and reminder that these Cities are as they are because of the land and rivers that themselves decided as much as the people what could be manufactured where and how it could reach its final market. Nature is bigger than any of us, and not a commodity that should be locked away by a privileged few.

A shout out also to Katie Gabriel Allen for creating a stunning artwork cover for the disc. A perfect poster in itself, showing our check-shirted troubador on a hill overlooking many of the famous sights of the area. It all looks so wonderfully tempting to hike through in its chocolate-box romantic splendour. Not a single ‘No Entry’ or ‘Trespassers Will Be Prosecuted’ sign in sight. The real ‘True North’ is to be found in the songs here, the sweat of labour and the clank of machines. Also, in the struggle to maintain entry to the land for the sons and daughters of those who sweated and starved. Obviously, a labour of love for Johnny Campbell, this disc and booklet would make great learning material in schools. Music, history and education – all with just a couple of instruments, a voice, and a breathtaking backdrop. What’s not to like?!

Folk Club Bonn – Accent on Accents

For all the statisticians out there this was Folk Club Bonn meeting #143. Divide that by 12 for the number of years. Adjust by having one month off each year and additional Folk Club Lite evenings during Covid and… or, just look at the Folk Club website which says it started in 2010. I would be ashamed to say that after all the many of those meetings I’ve attended, I never had so much trouble understanding the lyrics to songs that were in German. But I take heart from the fact that this was no ordinary German and this was no ‘ordinary’ Folk Club night. The theme was Dialects and Accents.

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Celebrating 30 Years of RUF Records

Although Katie Henry and Ally Venable are on this special Blues Caravan bill, the star of the tour is inevitably Bernard Allison. It was Bernard’s father the great Luther Allison, who inspired Thomas Ruf to not only promote Blues music but also to set up a European Record label. So it was that RUF Records, devoted to promoting the best of New Blues, began exactly 30 years ago.  Anniversary time then at Bonn Harmonie on Thursday evening and an opportunity to celebrate RUF records, Luther Allison, and of course the Blues.

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