The Poppelsdorfer Strassenfest has become a popular place to be over the years. Indeed, by 7pm I usually feel like an ant trying to cross a motorway without getting knocked down or indeed, squashed flat. Good news then that two bands I wanted to catch were due onstage before that watershed time of chaos. Winterfeld and Sunny Skies were the bands in question – yes, Sunny Skies playing whilst the sun was actually in the sky…
Now in its third year, the annual Blues Festival in Dottendorf’s Jazz stronghold at the Ortszentrum is a welcome event that really should attract a lot more attention than it does. Under the watchful eye of local Blues afficianado Bill Baum, you can be sure of quality music at an attractive price. This year’s event kicked off with an interesting combination of local youngsters the Chain Gang Kings and top Bielefeld Blues Man Michael Merwyk who has gigs with Larry Garner and guest appearances with Big Daddy Wilson to the credit of his CV as well as a super 2nd place in the 2013 Memphis International Blues Challenge.
Special Guest at this month’s Bonn Folk Club Johannes (Hannes) Epremian from the band Le Clou looks very serious in my opening picture, and so he should – he’s playing The Blues Cajun Style. John Harrison (with Eva on violin) though, as always had the first bite at this evening’s theme of Stormy Weather, and gobbled up the obvious choice with relish – Arlen and Hoehler’s classic of that very name that first saw the light of day with Ethel Waters in the early 1930s. It’s been covered since by everyone – from Bing Crosby to Bob Dylan – and is probably as familiar to the people of this planet as oxygen. A song that you would almost expect new-born babies to recognize.
All good things must come to an end, and so it was that a shower of glitter from the handheld keyboard of Markus Schinkel and a shower of rain from the Heavens marked the final night of the final weekend of this year’s marvellous Stadtgarten Season down by the Alten Zoll in Bonn. The music over the two nights from MT Wizard, Missine+Tripstoic, Dad’s Phonkey, Jin Jim and finally Markus Schinkel Voyager IV was always varied, always high quality and rewarded with an audience that stayed in large numbers throughout, come what may musically.
You had to get there early for a good place on the grass beside the Stadtgarten Stage. Perfect weather for a picnic with free music was on offer on both Friday courtesy of Die Musikstation and Saturday courtesy of PopCamp. Seven bands in two nights, so there really was something for everyone, and if a band didn’t catch your attention then there was always a chance to sunbathe or share a bottle of wine with friends. Bonn Summer Magic was indeed in the air!
Back in the late ’70s, when I was an avid Rock music fan and gig-goer, Britain was rather proud of it’s contribution to the genre. We were competing largely against American bands like Aerosmith, Bon Jovi and mega artists like Springsteen. The real metal-heads though knew there was also another rather excellent source of Metal music – Germany. We really didn’t have a female equivalent to Doro Pesch, Michael Schenker was seemingly both a guitar master and madman but we loved them both – and there was a band, also with a Schenker brother in it – whose name appeared on practically every one of those denim waistcoats festooned with sewn-on patches that I saw. A band called The Scorpions.
Fast forward over forty years and here we are at the closing show of the 2019 Kunstrasen season in Bonn. There are cloth patches for sale at the merchandise table still, to show some things haven’t changed. I still giggle nervously at the thought of these unkempt and motor-oil drenched bikers sitting at home with a needle and thread working on that patched to the hilt jacket. But if the patches haven’t changed, can the Band really be live up to a legendary name from the ’70s at 70? Interested to know the answer? I was too, so let’s pick up a pair of free magenta ear-plugs from the Telekom booth and find out (where were they when I saw Sammy Hagar in 1978?!)