As befits a City with many International businesses and residents, Bonn’s Over The Border Festival is once again overflowing with talented musicians from throughout the World. This year’s Festival kicks off in style with the winners of this year’s Womex Award, B.C.U.C “Bantu Continua Uhuru Consciousness” from Johannesburg. Their concert at The Harmonie on 10 March is the start of a long list of concerts at various venues stretching to 10 April in Bonn.
Johnny Campbell’s appearance at Bonn Folk Club last year was a real breath of fresh air. It’s a long time since I experienced an English folk musician who truly seems to have a mission in his music to rival that of the legendary Ewan MacColl. This is music with a heart and a soul and also a home – True North.
If you’ve never been to the North of England then I recommend purchasing the disc with an extra booklet. In it, you’ll find not just the lyrics, but also discover a background that is as fascinating as the songs themselves. As an example, it’s hard to imagine Leeds as a ‘seaside Town’. For a start, it’s nowhere near the coast (in fact, although it just misses being a part of the Midlands, you can’t get much more ‘mid-land’ than Leeds). Industrialisation though wasn’t to be deterred. To get the woven textiles produced there to the market quickly a canal was built that led west to Liverpool and ultimately to the sea. Not quite a seaside town then – but Nature and Man combined to find the sea. Indeed, it’s this synergy of the two that is behind ‘True North’.
Campbell describes these as ‘Field Recordings’. Which very often, literally they are. Each track is recorded on or around a respective county high point of Northern England. Don’t expect audiophile perfection here. That’s not the aim even. Johnny describes it rather beautifully as “tapping into the psychogeography of northern England”. Traditional songs with music created in the moment and inspired by the often rugged and windswept countryside which itself got swept up in an industrial revolution that changed the people and the landscape forever.
The mood and fears of the time are captured in ‘Four Loom Weaver’, describing the catastrophic outcome that mechanization had on the workforce at the time. “I’m a four loom weaver, as everybody knows. I’ve nowt to eat, and I’ve worn out me clothes. Stockings I’ve none, nor looms to weave on. I’ve woven mesen t’ far end!”.
It’s a lot to aim for – trying to convey the spirits of people and places and history all in one go. Johnny Campbell though has done it on True North with a stunning, simple, honesty. Playing where the history itself took place. armed with just a recorder, a voice, a guitar, and a spirit of defiance. playing this disc makes the listener feel as if they are that check-shirted man on the CD cover enjoying the view with a guitar beside him, surveying the land and the history it has lived. For most people that in itself would be enough. Johnny Campell doesn’t just talk the talk though, he, literally, walks the walk too, recently announcing proudly that he would be taking part in a ‘trespass’ walk on Kinder Scout. For those who don’t know the history: On 24th April 1932, several hundred activists from Manchester, Salford and Sheffield ‘trespassed’ on Derbyshire’s highest point, Kinder Scout, to highlight how walkers have been denied access to the open countryside by wealthy landowners, often using these moorlands for the elite, ecologically damaging, and profitable ‘sport’ of grouse shooting. Things have sadly not got better, and now, in 2024, 92% of land is ‘off-limits’ to walkers.
‘True North’ is not all Industrial Revolution woes though. and visitors to Bonn Folk Club may remember Johnny giving us a shortened version of the old traditional song ‘The Derby Ram’ with its origins in the 18th Century. I wonder when the last verse here was added that refers to: “The manure from the ram sir. It made a great big mound. And now it plays on Saturday, at Derby’s football ground!”
Overall this is much more than an album showcasing old history. It is a wake-up call and reminder that these Cities are as they are because of the land and rivers that themselves decided as much as the people what could be manufactured where and how it could reach its final market. Nature is bigger than any of us, and not a commodity that should be locked away by a privileged few.
A shout out also to Katie Gabriel Allen for creating a stunning artwork cover for the disc. A perfect poster in itself, showing our check-shirted troubador on a hill overlooking many of the famous sights of the area. It all looks so wonderfully tempting to hike through in its chocolate-box romantic splendour. Not a single ‘No Entry’ or ‘Trespassers Will Be Prosecuted’ sign in sight. The real ‘True North’ is to be found in the songs here, the sweat of labour and the clank of machines. Also, in the struggle to maintain entry to the land for the sons and daughters of those who sweated and starved. Obviously, a labour of love for Johnny Campbell, this disc and booklet would make great learning material in schools. Music, history and education – all with just a couple of instruments, a voice, and a breathtaking backdrop. What’s not to like?!
For all the statisticians out there this was Folk Club Bonn meeting #143. Divide that by 12 for the number of years. Adjust by having one month off each year and additional Folk Club Lite evenings during Covid and… or, just look at the Folk Club website which says it started in 2010. I would be ashamed to say that after all the many of those meetings I’ve attended, I never had so much trouble understanding the lyrics to songs that were in German. But I take heart from the fact that this was no ordinary German and this was no ‘ordinary’ Folk Club night. The theme was Dialects and Accents.
Although Katie Henry and Ally Venable are on this special Blues Caravan bill, the star of the tour is inevitably Bernard Allison. It was Bernard’s father the great Luther Allison, who inspired Thomas Ruf to not only promote Blues music but also to set up a European Record label. So it was that RUF Records, devoted to promoting the best of New Blues, began exactly 30 years ago. Anniversary time then at Bonn Harmonie on Thursday evening and an opportunity to celebrate RUF records, Luther Allison, and of course the Blues.
As in previous years, Musik Unter Der Zeder outside of the Kleines Theater in Bad Godesberg has a welcome selection of familiar faces alongside some new names and music.
One of the best bands that I have come across in recent times is Robert Jon & The Wreck out of South California. My review from their March 2023 concert was a glowing one (along with support from Bywater Call, one of the best concerts I’ve attended in recent years for sure).
The good news is that Robert Jon and co are down for a show in Bonn again on 3rd November TICKETS HERE If November seems a long way off, here is a video of the band’s latest single to help brifge the gap.
What better theme to kick off a New Year in our currently war-torn and uncertain World than ‘Hope’? From unrequited lover to pigeon racer – hope comes in myriad shapes and forms as our evening was to prove. In fact, the very first thing to hope for at Dotty’s for Folk Club #142 was refreshments. Bar owner Roland was on holiday, but the charming Natalie came to our rescue with a refrigerator full of drinks and the equally charming Detlef once more stepped up to the mark admirably with baskets of snack food. The evening can begin!